Benjamin Heisenberg’s installation Twelve Angry Men (Die Zwölf Geschworenen) challenges the interrelations of the artist’s and film maker’s imprinting and self- perception. Video works, pictures and historical artefacts form an environment that is evidence of Heisenberg’s incessant active process to articulate a mindset towards personal, family-, and German history. Twelve Angry Men (Die zwölf Geschworenen) condenses this quest that has been going on for many years, informing and shaping his work.

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